Jazz and Blues Greats born of the West Indies

Hey, J-Fans, feel free to contribute to this list, in Comments…

_____________________________________________

We are doubtless well aware that West Indians have been emigrating to the North American continent for generations. But it may not be as well-known that West Indians also developed a rich heritage in the context of American Jazz.

Jazz scribes have made that connection before.  However, an article published in All About Jazz on March 01, 2008 really brought the point home.  Richard Van Pelt was actually speaking to the imminent Monty Alexander expose with the Lords of the West Indies at Jazz at Lincoln Center, but delved into the subject of how Jazz became infused with Jamaican Mento and Trinidadian Calypso – or the other way around if you prefer – and how it came about that West Indian musicians would make a mark on the American Jazz landscape.

Van Pelt writes, “Through the years…myriad Jazz artists with West Indian roots made key contributions to Jazz, bringing both subtle and explicit West Indian musical expressions.”

Following is a list of names of “…West Indian musicians whose careers included Jazz.”  They are either from the West Indies or whose familial roots can be traced back to the Caribbean isles.  Excluded for the time being are the tremendous numbers of Cuban émigrés whom we will add, with your help, over time.

  • Rupert Cole: Trinidadian alto saxophonist who apparently pushed off for New York from Barbados. Cole worked with Sam Manning, Don Redman (in the 1930s) and Louis Armstrong in the 1940s;
  • Blue Mitchell: Bahamian trumpeter;
  • Fats Navarro: Bahamian trumpeter; born of mixed Cuban-Black-Chinese parentage;
  • Wynton Kelly: Jamaican pianist;
  • Kenny Drew: Jamaican pianist;
  • Oscar Peterson: Canadian pianist born to St. Croix father and St. Kitts mother;
  • Carmen McRae: pianist with a Jamaican lineage;
  • Art Taylor: Jamaican drummer who gigged with Howard McGhee and Thelonious Monk, associated with Coleman Hawkins and Bud Powell and recorded with Miles Davis Monk;
  • Connie Kay: drummer with Montserrat heritage; replaced Kenny Clarke in the Modern Jazz Quartet (MJQ);
  • Randy Weston: pianist with a Jamaican mother and Panamanian father;
  • Roy Haynes: the drummer’s parents moved to Roxbury, Massachusetts from Barbados;
  • Dizzy Reece: Jamaica-born trumpeter;
  • Sonny Rollins: parents were natives of the United States’ Virgin Islands;
  • Joe “Tricky” Sam Nanton: West Indian trombonist with Duke Ellington

…and may I add names of the new generation of West Indians who are or may join the pantheon of class acts.

  • Taj Mahal: Taj Mahal was born Henry St. Clair Fredericks on May 17, 1942, in Harlem, New York, of a St. Kitts father who himself was a musician, a Jazz pianist, composer and arranger.   Henry was raised in Springfield, Massachusetts, by a Jamaican stepfather.  He adopted the name Taj after relocating to California in 1964, long before he rose to the Blues surface as one of the cream of the crop.  Taj’s recordings feature him on the guitar, harmonica, piano, bass, banjo, mandolin, fife.  In all, he plays over 20 instruments in a host of musical styles that go beyond the Blues into Zydeco, New Orleans creole music, childrens’ songs, folk tunes, gospel, soundtracks, rhythm & blues, Hawaiian and of course, Reggae (with Ziggy Marley) and other Afro-Caribbean sounds.  However, these forays revolved around and interacted with his Blues core.  Taj, a multi-Grammy winner, has been inducted in the Blues Hall of Fame for 2009.  The Blues Hall of Fame is a program of The Blues Foundation, a non-profit organization established to preserve Blues history, celebrate Blues excellence, support Blues education and ensure the future of this uniquely American art form.
  • http://www.allaboutjazz.com/photos/profile/NormanHedman.jpgNorman Hedman: the Percussionist, Composer, Producer and Solo Artist is an artist of the highest pedigree.  Hedman slid smoothly between genres and in so doing fused those styles to create a unique signature for himself.  The conquero, probably best known for his work with R&B singer Alicia Keys, racked up a boundless list of credits that peaked with two Grammy ® nominations in the Latin Jazz category.  They were both for Norman Hedman’s Tropique, his personal music vehicle.  Over the last 25 years of his life, Hedman beat the conga drums for Arturo Sandoval, Nancy Wilson, Bobby Watson, Grady Tate, Pat Martino, Chico and Vaughn Freeman, Arthur Blythe, George Cables, Gary Bartz, Giovanni Hidalgo, Hilton Ruiz, Airto Moreira, Mongo Santamaria, Lew Soloff and Marcus Miller among others.
  • Dion Parson: This 41 year old drummer from St. Thomas, United States Virgin Islands has enjoyed a steady climb towards the stars since dropping the trombone for the drum kit at 15.  He later gained the favour of the Virgin Islands Council on the Arts which awarded him a music scholarship to attend Interlochen Music Academy in Michigan.   Parson would go on to earn a B.M. in Music Education at New Jersey’s Rutgers University.  Blake has enjoyed a close association with fellow Virgin Islander, saxophonist Ron Blake. Since hooking up, they started their own Tahmun label; and the 21st Century Band they co-lead resides on that label.
  • Bobby Sanabria: Bobby is the son of Puerto Rican parents who was born and raised in the “Fort Apache” section of New York City’s South Bronx.  Now he enjoys the distinction of having been inducted into the Bronx Walk of Fame with the naming of a permanent street him after him on the Bronx’s famed Grand Concourse.  This, the highest honour achievable by a Bronxite, was done in 2006 for his contributions to music and the arts.  Sanabria is in the company of other illustrious Bronx notables such as Ray Barretto, and Eddie Palmieri, to name a few.
  • Dafnis Prieto: born in Santa Clara, Cuba, Prieto moved to New York in 1999 armed with a conservatory music education.  Since then, he has stuffed his resumé with the tutelage of such notables as Henry Threadgill, Andrew Hill, Steve Coleman, Eddie Palmieri, Chico and Arturo O’Farrill, D. D. Jackson, Michel Camilo, Chucho Valdez, Claudia Acuna and Brian Lynch and many others. Now he is sharing some of that with contemporaries Yosvany and Yunior Terry and Avishai Cohen on his latest release ‘Taking the Soul for a Walk’ under his own Dafnison Music label.
  • Rashawn Ross: this St. Thomas born trumpeter and arranger is eight years removed from a four-year Berklee college degree that positioned him for stints with some of the top names in Jazz such as Christian McBride,  Roy Hargrove, Nicholas Payton and Ron Blake. Ross does not, however, limit himself stylistically. As such, he has performed with many other well-established acts representing a wide range of styles outside of Jazz.

Rashawn Ross

  • Celia Cruz: the most successful Cuban performer of the twentieth century, Cruz was associated with Tito Puente with whom she made eight albums, Johnny Pacheco, Fania All Stars and Ray Baretto.
  • Jon Lucien: born a Harrigan on Tortola, British Virgin Islands and raised on St. Thomas, USVI, Lucien had a storied career in spite of his associations with more established artists such as producer Dave Grusin, Weather Report of the recently departed Joe Zawinul and instrumentalist Andy Narell among many others.
  • Ralph MacDonald: this three-time Grammy winner is of Trinidadian parentage whose percussions were integral to the Grover Washington Jr. sound two decades ago and who in more recent times has worked with saxophonist Tom Scott, and pannist Robert Greenidge among innumerable other Caribbean musicians.


  • Tessa Souter: New York-based vocalist born to Trinidad and British parents.
  • Reginald Cyntje: born on the Commonwealth of Dominica in 1976.  When he was 6 months old, he moved with his family to St. Thomas, United States Virgin Islands and then on to the mainland.
  • Yosvany Terry; Eddie Bullen; Monty Alexander; David “Happy” Williams; Onaje Allan Gumbs; Reuben Rogers; Glen Bryan; Mario Canonge; David Sanchez; Jacques Schwarz-Bart; Liam Teague; Rudy “Two-Left” Smith; Tony “Pan-Jumbie” Williams; Marisa Lindsay; Mozayik; Elio Villafranca; John Santos; Omar Sosa;Yunior Terry; Danilo PerezDave SamuelsDavid SanchezEddie Palmieri; Paquito D’Rivera; Gonzalo Rubalcaba; Vanessa Rubin; Hilario Durán; Cameron Pierre; Buyu Ambroise, Dave Valentin; Emeline Michel; Pauline Jean; David Williams; Earl Rodney; Othello Molineaux, Ron Reid; Miguel Zenon; Papo Vasquez; Victor Provost; Courtney Pine; Michael Boothman; Nestor Torres; Arturo O’Farrill & The Afro-Latin Jazz Orchestra; Hilton Ruiz; Jerry Gonzalez and the Fort Apache Band; Papo Vazquez; Bobby Sanabria; Ron ReidGary Crosby;

…just added

  • Etienne Charles; Luther Francois; Marisa Lindsay; Michele Henderson; Sonny Bradshaw; Clive Zanda; Ken “Professor” Philmore; Len “Boogsie” Sharpe; Nicholas Brancker;

to be continued…

About these ads

About M. Minchie Israel

I have a modest artistic background in the arts, especially in the realms of poetry, theater and radio. I have done a bit of acting as well as writing and directing for the stage before dropping out upon leaving the Caribbean a few moons ago. I am hoarding volumes of crudely-bound poetry dating back to my teenage years. Publishing any of them is not on the cards...yet. I spent a total of seven years moonlighting as a general programming announcer and Jazz jockey, primarily on DBS Radio in the Commonwealth back in the eighties and the very early nineties. I did a short stint on Kairi FM in Dominica in the late nineties while "in transit" between Canada, where I completed a five-year programme of study, to the British Virgin Islands where I currently reside. Jazz and Other Improvisations (coincidentally, J.O.I. are my daughter's initials; her name is Jazmin) have become the theme of my life outside of work. I study the history of Jazz with a passion, more so about Caribbean-Jazz and Jazz musicians of Caribbean descent. I spin nothing but Jazz in the CD player. Jazz is what excites the pants off me. However, I love listening to national radio stations from the Caribbean and the Americas if for no other reason but to keep a tab on popular musical trends happening in our region. After all, Jazz musicians are notorious for incorporating pop music sensibilities into Classic Jazz and Blues structures. The Woodshed Entertainment Collective is meant to attract Caribbean-Jazz artists, Jazz artists born of the West Indies, Jazz producers and programmers, Jazz writers and curators...and of course YOU the aficionado. If you fall into any one of these categories, you really need to reach out to us at The WEC to learn about our goals and objectives to build a loose network of Shedders dedicated to sharing every piece of Caribbean-Jazz news there is from around the Jazzosphere. Knock on Wood at the Primary Menu at the top of this blog for all of our Contact information. Please send us a note or an e-mail to let us know that you wish to have a key to the Woodshed. View all posts by M. Minchie Israel

12 Responses to “Jazz and Blues Greats born of the West Indies”

  • Skippy Lezama

    Orville Wright (Trinidad) Leon Foster Thomas (Trinidad)
    Hazel Scott (Trinidad ..http://en.wikipedia.org/wiki/Hazel_Scott)

  • John Stevenson

    … and on and on …

    Don’t forget Onaje Allan Gumbs of Anguillan heritage, keyboard maestro and my favourite cousin Frankie McIntosh, Monty Alexander from Jamdown, acoustic bass specialist and Trini David Williams, V Islander saxist Ron Blake, Guadeloupian saxist Jacques Schwarz-Bart, PRican David Sanchez, Grenadian keyboardist Eddie Bullen (based in Canada).

    • Israel

      …and on and on we go until we get to the end of the list which is, what, never? I will go with “never.”

      Will get around to your suggestions in the days to come.

      Many thanks for the help.

  • Israel

    Francine Morin? Hers is a fresh name to me. I will certainly begin trailing her.

    And the fact that you were listening to her means that she is a recorded artist. Then I should be able to put my hands on her stuff.

  • Nigel Campbell

    I was listening to Francine Morin, a product of a Trinidadian mother and French-Canadian father, now based in New York. She has a webpage, http://www.francinemorin.com

    Check her out.

  • Israel

    I am elated to hear that Reginald. What you may not realise is that the Woodshed Entertainment Collective is actually working toward building a loose network of existing Jazz Societies, promoters and programmes in the region to facilitate returning musicians like yourself for instance in your quest “share.”

    We are not going to get involved in festivals necessarily. Rather, we want to coordinate clinic and performance tours for musicians like yourself with a West Indian background.

    We want this to be a year-long feature as compared to the one-off festivals that have become the norm in our region.

    Festivals are great. I love them. I love to go to them. However, that aspect of Jazz in the Caribbean is being well taken care of by BET Jazz and the like. Now we need to build a more comprehensive Jazz scene.

    I would like to see regular gigs of international standing all year round to keep the music alive in between the festivals. As far as I am aware, St. Thomas (Reichhold Center for the Arts), the British Virgin Islands (H. Lavity Stoutt Community College) and Trinidad have extended Jazz seasons outside of the festivals. We need more of those.

    Stay in touch Reginald. I will be putting my proposal online for perusal by the Woodshed community in time.

  • Reginald

    I’m currently celebrating 10 years as a band leader. I’ve been providing free concerts around the DC area to thank the community at large for the support over the years. Visit my bio section at cyntjejazz.com for info on some of my accomplishments. I’ve toured and performed with many great musicians. I look forward to the day I can come home to the Caribbean and share my experience with the community that prepared me for my career as a musician.

  • Israel

    Isn’t the United States Virgin Islands in particular quite a breeding ground for Jazz musicians who are making a mark on the international Jazz scene scene Reginald?

    Thanks for the suggestions.

    And do keep the Collective informed of your goings-on now and then, will you?

  • Reginald

    Check out Rashawn Ross-trumpet, Ron Blake-tenor sax, Dion Parson-drums, Lasim Richards-trombone, Reuben Rogers-bass, Amin Gumbs-drums, and Jean Toussaint-tenor sax to name a few

  • Israel

    Lucien, yes. That is one more for the list.

  • Vaughnette

    I heard a clip of Ms. Tessa Souter, what a great voice.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Connecting to %s

Follow

Get every new post delivered to your Inbox.

Join 45 other followers

%d bloggers like this: