Hey, J-Fans, feel free to contribute to this list in Comments…
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updated on May 03 2008
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We are doubtless well aware that West Indians have been emigrating to the North American continent for generations. But it may not be as well-known that West Indians also developed a rich heritage in the context of American Jazz.
Jazz scribes have made that connection before. However, an article published in All About Jazz on March 01, 2008 really brought the point home. Richard Van Pelt was actually speaking to the imminent Monty Alexander expose with the Lords of the West Indies at Jazz at Lincoln Center, but delved into the subject of how Jazz became infused with Jamaican Mento and Trinidadian Calypso - or the other way around if you prefer - and how it came about that West Indian musicians would make a mark on the American Jazz landscape.
Van Pelt writes, ”Through the years…myriad Jazz artists with West Indian roots made key contributions to Jazz, bringing both subtle and explicit West Indian musical expressions.”
Following is a list of names of “…West Indian musicians whose careers included Jazz.” They are either from the West Indies or whose familial roots can be traced back to the Caribbean isles. Excluded for the time being are the tremendous numbers of Cuban émigrés whom we will add, with your help, over time.
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Rupert Cole: Trinidadian alto saxophonist who apparently pushed off for New York from Barbados. Cole worked with Sam Manning, Don Redman (in the 1930s) and Louis Armstrong in the 1940s;
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Blue Mitchell: Bahamian trumpeter;
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Fats Navarro: Bahamian trumpeter; born of mixed Cuban-Black-Chinese parentage;
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Wynton Kelly: Jamaican trumpeter;
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Kenny Drew: Jamaican pianist;
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Oscar Peterson: Canadian pianist born to St. Croix father and St. Kitts mother;
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Carmen McRae: pianist with a Jamaican lineage;
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Art Taylor: Jamaican drummer who gigged with Howard McGhee and Thelonious Monk, associated with Coleman Hawkins and Bud Powell and recorded with Miles Davis Monk;
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Connie Kay: drummer with Montserrat heritage; replaced Kenny Clarke in the Modern Jazz Quartet (MJQ);
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Randy Weston: pianist with a Jamaican mother and Panamanian father;
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Roy Haynes: the drummer’s parents moved to Roxbury, Massachusetts from Barbados;
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Dizzy Reece: Jamaica-born trumpeter;
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Sonny Rollins: parents were natives of the United States’ Virgin Islands;
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Joe “Tricky” Sam Nanton: West Indian trombonist with Duke Ellington
…and may I add the names of the new generation of West Indians who may well join the above pantheon of class acts.
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Bobby Sanabria: Bobby is the son of Puerto Rican parents who was born and raised in the “Fort Apache” section of New York City’s South Bronx. Now he enjoys the distinction of having been inducted into the Bronx Walk of Fame with the naming of a permanent street him after him on the Bronx’s famed Grand Concourse. This, the highest honour achievable by a Bronxite, was done in 2006 for his contributions to music and the arts. Sanabria is in the company of other illustrious Bronx notables such as Ray Barretto, and Eddie Palmieri, to name a few.
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Dafnis Prieto: born in Santa Clara, Cuba, Prieto moved to New York in 1999 armed with a conservatory music education. Since then, he has stuffed his resumé with the tutelage of such notables as Henry Threadgill, Andrew Hill, Steve Coleman, Eddie Palmieri, Chico and Arturo O’Farrill, D. D. Jackson, Michel Camilo, Chucho Valdez, Claudia Acuna and Brian Lynch and many others. Now he is sharing some of that with contemporaries Yosvany and Yunior Terry and Avishai Cohen on his latest release ‘Taking the Soul for a Walk’ under his own Dafnison Music label.
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Rashawn Ross: this St. Thomas born trumpeter and arranger is eight years removed from a four-year Berklee college degree that positioned him for stints with some of the top names in Jazz such as Christian McBride, Roy Hargrove, Nicholas Payton and Ron Blake. Ross does not, however, limit himself stylistically. As such, he has performed with many other well-established acts representing a wide range of styles outside of Jazz.
Rashawn Ross
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Celia Cruz: the most successful Cuban performer of the twentieth century, Cruz was associated with Tito Puente with whom she made eight albums, Johnny Pacheco, Fania All Stars and Ray Baretto;
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Jon Lucien: born a Harrigan on Tortola, British Virgin Islands and raised on St. Thomas, USVI, Lucien had a storied career in spite of his associations with more established artists such as producer Dave Grusin, Weather Report of the recently departed Joe Zawinul and instrumentalist Andy Narell among many others;
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Ralph MacDonald: this three-time Grammy winner is of Trinidadian parentage whose percussions were integral to the Grover Washington Jr. sound two decades ago and who in more recent times has worked with saxophonist Tom Scott, and pannist Robert Greenidge among innumerable other Caribbean musicians;
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Tessa Souter: New York-based vocalist born to Trinidad and British parents;
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“Soul Man” Dayve Stewart: Contemporary Jazz saxophonist who has a Caribbean background with a Cuban mother and a Jamaican father;
- Reginald Cyntje: born on the Commonwealth of Dominica in 1976. When he was 6 months old, he moved with his family to St. Thomas, United States Virgin Islands;





7 responses so far ↓
Vaughnette // March 23, 2008 at 10:43 pm
I heard a clip of Ms. Tessa Souter, what a great voice.
Vaughnette // March 23, 2008 at 10:57 pm
What about Jon Lucien?
Israel // March 24, 2008 at 12:16 am
Lucien, yes. That is one more for the list.
Reginald // April 13, 2008 at 10:42 pm
Check out Rashawn Ross-trumpet, Ron Blake-tenor sax, Dion Parson-drums, Lasim Richards-trombone, Rueben Rogers-bass, Amin Gumbs-drums, and Jean Toussaint-tenor sax to name a few
Israel // April 14, 2008 at 2:16 am
Isn’t the United States Virgin Islands in particular quite a breeding ground for Jazz musicians who are making a mark on the international Jazz scene scene Reginald?
Thanks for the suggestions.
And do keep the Collective informed of your goings-on now and then, will you?
Reginald // April 22, 2008 at 9:34 pm
I’m currently celebrating 10 years as a band leader. I’ve been providing free concerts around the DC area to thank the community at large for the support over the years. Visit my bio section at cyntjejazz.com for info on some of my accomplishments. I’ve toured and performed with many great musicians. I look forward to the day I can come home to the Caribbean and share my experience with the community that prepared me for my career as a musician.
Israel // April 22, 2008 at 11:47 pm
I am elated to hear that Reginald. What you may not realise is that the Woodshed Entertainment Collective is actually working toward building a loose network of existing Jazz Societies, promoters and programmes in the region to facilitate returning musicians like yourself for instance in your quest “share.”
We are not going to get involved in festivals necessarily. Rather, we want to coordinate clinic and performance tours for musicians like yourself with a West Indian background.
We want this to be a year-long feature as compared to the one-off festivals that have become the norm in our region.
Festivals are great. I love them. I love to go to them. However, that aspect of Jazz in the Caribbean is being well taken care of by BET Jazz and the like. Now we need to build a more comprehensive Jazz scene.
I would like to see regular gigs of international standing all year round to keep the music alive in between the festivals. As far as I am aware, St. Thomas (Reichhold Center for the Arts), the British Virgin Islands (H. Lavity Stoutt Community College) and Trinidad have extended Jazz seasons outside of the festivals. We need more of those.
Stay in touch Reginald. I will be putting my proposal online for perusal by the Woodshed community in time.
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