…a sampling of Jazz news deserving of a post rather than a roll, a blogroll
The 21st Century Band of Dion Parson and Ron Blake, both of the United States Virgin Islands, beat a path to Dizzy’s Club Coca Cola at Jazz at Lincoln Center, New York, New York for a June 16, 200 concert and live recording. Playing the supporting role were Parson and Blake’s compatriot Reuben Rogers (bass), Carlton Holmes (piano), Victor Provost (steel pan) and Alioune Faye (percussion).
Trumpeter Terell Stafford joined the band on Friday, June 19 for their 2nd and 3rd sets, and again on Saturday, June 20 for all sets.
That stint at Dizzy’s Club Coca Cola ran from June 16-21, 2009.
As to whether or not the 21st Century Band had any other gigs between then and now, we do not know. What we are aware of is that the band performed again on Tuesday, July 7, 2009 at Carl Schurz Park at 84th Street and East End Avenue New York, NY 10001 . This performance was scheduled to coincide with Jazz Mobile’s 45th Anniversary Celebration at Gracie Mansion. Dr. Billy Taylor was expected to make a guest appearance at the show.
On Wednesday, July 8 2009, 21st Century sashays to The Shrine located at 2271 Adam Clayton Powell Blvd (133-134th Streets). This free event is part of the Jazz Mobile Harlem International Jazz Festival ‘Late Night Concerts.’
Trombonist Reginald Cyntje (Dominica/United States Virgin Islands) celebrated Jazz and Family at the 2009 Duke Ellington Jazz Festival on Saturday, June 6. Joining Cyntje at the Phillips Collection on 1600 21st Street NW, Washington, DC were Janelle Gill on piano and Herman Burney on bass.
Cyntje returns to performing live at a show on July 8 2009 at The Shrine in New York, NY for the 45th Annual Jazz Mobile Harlem International.
(Source: http://www.reverbnation.com)
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Sean Thomas Trio featuring Dave Marcellin
S.T. Jazz Incorporated Limited presented the Sean Thomas Trio featuring Dave Marcellin on piano (and Douglas Reddon on bass) performing Jazz and Calypso standards plus more at The Corner Bar on 20 Ariapita Road, Woodbrook, Trinidad and Tobago on Tuesday, June 09, 2009.
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The Fifth Annual Bonaire Heineken Jazz Festival passed through the audiosphere between June 4 and 7, 2009. Didn’t you notice?
The festival looked inward more than ever, preferring to create a platform for Dutch artists from Bonaire, Curacao and Suriname instead of depending on a long line of acts of international standing.
The Monty Alexander Quartet was, therefore, the lone major draw atop a secondary line comprising of a leaders from Venezuela in Alfredo Naranjo (vibraphone, xylophone, piano and other percussion instruments); Puerto Rico (Dave Ronchi Matthew, piano); and the Netherlands (Hans Dulfer, tenor saxophone).
On the ‘home front’ were local musicians from Bonaire, pianist Gabby Saleh and his quartet, the Cabaco Trio and the Dikazz Group; Suriname/Dutch vocalist, Denise Jannah with a Curacao quartet; and Curacao upright bassist, Pierre Dunker.
The festival opened on June 4 with a Jazz & Poetry night, yet another piece of evidence that Jazz and Art collaborations are developing into a new standard for creativity. (Source: Bonaire Jazz)
In the same vein, Martiniquan sculptor, Jérome Radigois, engaged Barbados’ C4 – The Band in late May for a series of four dates under the theme, Music and Sculpture, Live! Sound Skultur was a presentation of Alliance Francaise at the Waterfront Cafe in Bridgetown, the Restaurant Lounge in Holetown and at the Lancaster Gallery. (Source: Bajan Reporter)
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The Greek Theatre and The Gibson on May 16 hosted the 2nd Annual L.A. Latin Jazz Festival 2009. The featured acts were the Caribbean Jazz Project Reunion with Dave Samuels & Paquito D’Rivera, José Rizo’s Jazz on the Latin Side All-Stars, Charlie Sepulveda & The Turnaround Band and Giovanni Hidalgo.
Dave Samuel’s Caribbean Jazz Project then turned up at Yoshi’s San Francisco on 1330 Fillmore Street on Sunday, May 17th, 2009 at 7:00 pm.
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MAMA DIS IS JAZZ 1 poster
Trinidadian mothers were honoured on Sunday, May 10 at the all-inclusive event called Mama Dis Is Jazz held on the grounds of Ortinola Estate, a beautiful piece of real estate in the Maracas Valley, St. Joseph. The show ran from 1:00 – 07:00 pm.
Up on stage were top steelpan player Ken “Professor” Philmore; multi-instrumentalist and sitar specialist, Mungal Patasar, the sitar being the lead vehicle in his pursuit of a happy medium in realm of Indo Calypso-Jazz; pianist Raf Robertson whose forté Calypso-Jazz; bass man Michael Boothman (and Kaiso Fusion) who is also handy on a number of other stringed instruments such as the guitar, the cuatro and piano; Guyana born singer Ruth Osborn accompanied by guitar, percussion and bass; Dave Marcellin and Birdsong Steel Orchestra.
Michael Boothman (courtesy mamadisisjazz.com)
This is the third year that this Mother’s Day event has been organized by the Non-governmental Organisation Guana Project, Guana being the name of the first Amerindian chief who donated the land where St. Joseph now sits. St. Joseph was the first capital of Trinidad and Tobago.
Mama Dis Is Jazz has evolved from Jazz Fest, the name by which the concert was known over the two previous editions.
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Three days into the month of May, Who is R’Kardo St’Von? Part Deux, came off at Casa de Ibiza on 163 Tragarete Road, POS, Trinidad.
St. Von is a vocalist who does Jazz. And it is Jazz that he brought to the Casa de Ibiza on Sunday, May 03 with the backing of folks like pianist Chantal Esdelle and guitarist Theron Shaw.
This show was presented by Ricardo Mendoza.
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April 2009 Buzzz: Luther Franςois supports new Lucian band at Kalalu World Music Festival|The Greening of Jazz on Cayman Islands
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February 2009 Buzzz: Courtney Pine pays homage to Sidney Bechet with Cameron Pierre in tow|Aruban Jazzman Making Waves|Let it Ring for Londoner Denys Baptiste, born of the West Indies |Courtney Pine pays homage to Sidney Bechet with Cameron Pierre in tow
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January 2009 Buzzz: Barbados (JAZZ) Music Awards ‘09|Kellie Cadogan releases CD
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December 2008 Buzzz: Cuba’s Paquito D’Rivera|Cayman’s Gary Ebanks and Intransit|Guadeloupe’s Jacques Schwartz-Bart
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November 2008 Buzzz: Cameron Pierre adds the spice of Jazz to DA’s World Creole Music Festival
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October 2008 Buzzz: Trinidadian guitarist Theron Shaw releases CD
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September 2008 Buzzz: Miguel Zenón and Rosemary Phillips
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August 2008 Buzzz: The Skatalites’ Johnny Moore dead at 70 (with Herbie Miller article)
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July 2008 Buzzz: St. Vincent’s Frankie McIntosh performed in Tn’T July 20
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June 2008 Buzzz: Puerto Rico’s Miguel Zenón for Rochester International Jazz Festival on Monday, June 16
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May 2008 Buzzz: Jamaicans Dizzy Reece, Desi Jones et al entertain during an ‘Evening of Jazz’
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March 2008 Buzzz: The VI’s Reuben Rogers backs Charles Lloyd
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March 2008 Buzzz: Trinidad’s “Jazz Singer” Vaughnette Bigford
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Step aside Rihanna, Barbados has a new rising star on the horizon, Marisa Lindsay. Her stylings are well grounded in Jazz though she demonstrates a conspicuous relish for rhythm and blues that when brought together point her in the direction of Erykah Badu. Having sampled some of the tracks on Lindsay’s debut recording, Submit2Love, I have to agree that Lindsay does share a soundwith Badu. But as to whether this is intentional or coincidental is not for me to say.
Lindsay’s recording career did not come about by accident. Grenadian-born keyboardist, performer, songwriter, arranger and producer, Eddie Bullen, who has been living in Markham, Ontario, Canada since 1980 did not happen to be in Barbados for the 2006 edition of the Barbados Jazz Festivalyou see. (You think? Fate?) Anyway, after Bullen heard Lindsay sing The Girl From Ipanema during the festival’s local night he was sold!
A piece on Marisa Lindsay in 
(August 03, 2007) has Bullen’s take on Lindsay’s rendition of The Girl From Ipanema from a year and a half earlier: “She lit up the stage. It’s a song I’ve heard so many times and so many ways, but what she did was very interactive and spontaneous. She made it her own.”
Convinced of her unrealised potential, Bullen approached Lindsay after her festival set offering to work with her. Their chance would come four months later in Toronto, Canada. Lindsay was in Canada to perform at a charity ball on behalf of the Barbados Tourism Authority. Bullen invited her to his Thunder Dome Sounds home studio to discuss the prospect of recording a CD. I guess it was an ambush because Bullen had her cut the record then and there.
Lindsay told Ashante Infantry, Pop and Jazz Critic of The Star, that she was totally unprepared for that. But she was, I think. Back in 2004, she was doing standards with an acoustic trio at a Bridgetown, Barbados club when “a guy” approached her and with a music scholarship in hand. Within six weeks, her Barbadian benefactor had arranged a month-long piano and vocal training course for her at a Cuban music school. Lindsay returned to Cuba the following year for a follow-up programme of study.
Consequently, when Bullen approached Lindsay at Toronto, she had by then transcended from the level of singing only as a “physical aspect” to an “emotional and spiritual” plane where she was more aware of her voice on the one hand and the increased power that her training had facilitated on the other.
Now, Submit2Love is out on the market and ready for the listening room. The album has 11 tracks, 6 of which are Jazz Classics. There is also 1 Blues classic and a remake of Bob Marley’s “Waiting In Vain” in the repertoire .
Lindsay has since performed her music at the annual Barbados on the Water Festival at the Harbourfront Centre in Toronto, Canada in June of this year. Also on the bill for that festival was Lindsay’s producer, pianist Eddie Bullen as well as Barbadian saxophonist Arturo Tappin. wemagonline.blogspot.com
The CD is available for purchase and track sampling at cdbaby.com. Come on. Buzzz offf there now.
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Come Sunday, August 12, Trinidadian trumpeter, Etienne Charles will take to the MoMa Garden stage as the featured artist for a free summergarden Jazz concert at sunset. According to freenyc.net, Charles will explore the idiom to the backdrop of African rhythms and the folk traditions of the Caribbean.
The Museum of Modern Art will, therefore, witness Charles’ Culture Shock Project, the highlight of which will be his interpretation of stories of West Indian folklore characters. Included in this repertoire will be the world premiere of a suite entitled “Encounter with La Diablesse.”
Etienne Charles recently performed with Barbados’ Arturo Tappin at Jazz on The Hill in Virgin Gorda, British Virgin Islands on May 23 and later on at Steelpan Jazz at the House of Jazz at Lincoln Center on June 16.
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After four years of hard work in an 8×10 home office, using a PC, sound card, software, speakers and microphones, Caribbean jazz saxophonist Andre Woodvine presents nine unique, original compositions in a package entitled “Some Assembly Required.” Released on April 29 at a special live performance in Barbados’ Plantation Garden Theatre as part of the Notes to Notes concert series, this CD reflects the many diverse influences on Woodvine’s music, from jazz to Caribbean rhythms, science fiction to family. Woodvine is a Berklee College of Music graduate who plays alto, tenor and soprano saxophones as well as the flute.
Apart from “Some Assembly Required,” Woodvine has two CDs under his own name, Citronella (1997) and Voyager (1995). He also appears on a 1992 recording, New World Music by the West Indies Jazz Band, which featured another well-known Caribbean saxophonist, St. Lucian Luther Francois whom I had the pleasure of promoting to a Dominica Jazz Festival with Positive Jazz Inc. back in the 1980s.
Buzz off to CDBaby.com for A few notes on “Some Assembly Required“ including 2-minute song samples of all 9 tracks (and Other CDs you will love) as well as something about Andre Woodvine himself. Or you can go straight to Planet Woodvine, the artist’s home
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Step aside Rihanna, Barbados has a new rising star on the horizon, Marisa Lindsay. Her stylings are well grounded in Jazz though she demonstrates a conspicuous relish for rhythm and blues that when brought together point her in the direction of Erykah Badu. Having sampled some of the tracks on Lindsay’s debut recording, Submit2Love, I have to agree that Lindsay does share a soundwith Badu. But as to whether this is intentional or coincidental is not for me to say.
Lindsay’s recording career did not come about by accident. Grenadian-born keyboardist, performer, songwriter, arranger and producer, Eddie Bullen, who has been living in Markham, Ontario, Canada since 1980 did not happen to be in Barbados for the 2006 edition of the Barbados Jazz Festivalyou see. (You think? Fate?) Anyway, after Bullen heard Lindsay sing The Girl From Ipanema during the festival’s local night he was sold!
A piece on Marisa Lindsay in (August 03, 2007) has Bullen’s take on Lindsay’s rendition of The Girl From Ipanema from a year and a half earlier: “She lit up the stage. It’s a song I’ve heard so many times and so many ways, but what she did was very interactive and spontaneous. She made it her own.”
Convinced of her unrealised potential, Bullen approached Lindsay after her festival set offering to work with her. Their chance would come four months later in Toronto, Canada. Lindsay was in Canada to perform at a charity ball on behalf of the Barbados Tourism Authority. Bullen invited her to his Thunder Dome Sounds home studio to discuss the prospect of recording a CD. I guess it was an ambush because Bullen had her cut the record then and there.
Lindsay told Ashante Infantry, Pop and Jazz Critic of The Star, that she was totally unprepared for that. But she was, I think. Back in 2004, she was doing standards with an acoustic trio at a Bridgetown, Barbados club when “a guy” approached her and with a music scholarship in hand. Within six weeks, her Barbadian benefactor had arranged a month-long piano and vocal training course for her at a Cuban music school. Lindsay returned to Cuba the following year for a follow-up programme of study.
Consequently, when Bullen approached Lindsay at Toronto, she had by then transcended from the level of singing only as a “physical aspect” to an “emotional and spiritual” plane where she was more aware of her voice on the one hand and the increased power that her training had facilitated on the other.
Now, Submit2Love is out on the market and ready for the listening room. The album has 11 tracks, 6 of which are Jazz Classics. There is also 1 Blues classic and a remake of Bob Marley’s “Waiting In Vain” in the repertoire .
Lindsay has since performed her music at the annual Barbados on the Water Festival at the Harbourfront Centre in Toronto, Canada in June of this year. Also on the bill for that festival was Lindsay’s producer, pianist Eddie Bullen as well as Barbadian saxophonist Arturo Tappin. wemagonline.blogspot.com
The CD is available for purchase and track sampling at cdbaby.com. Come on. Buzzz offf there now.
_________________________
Come Sunday, August 12, Trinidadian trumpeter, Etienne Charles will take to the MoMa Garden stage as the featured artist for a free summergarden Jazz concert at sunset. According to freenyc.net, Charles will explore the idiom to the backdrop of African rhythms and the folk traditions of the Caribbean.
The Museum of Modern Art will, therefore, witness Charles’ Culture Shock Project, the highlight of which will be his interpretation of stories of West Indian folklore characters. Included in this repertoire will be the world premiere of a suite entitled “Encounter with La Diablesse.”
Etienne Charles recently performed with Barbados’ Arturo Tappin at Jazz on The Hill in Virgin Gorda, British Virgin Islands on May 23 and later on at Steelpan Jazz at the House of Jazz at Lincoln Center on June 16.
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After four years of hard work in an 8×10 home office, using a PC, sound card, software, speakers and microphones, Caribbean jazz saxophonist Andre Woodvine presents nine unique, original compositions in a package entitled “Some Assembly Required.” Released on April 29 at a special live performance in Barbados’ Plantation Garden Theatre as part of the Notes to Notes concert series, this CD reflects the many diverse influences on Woodvine’s music, from jazz to Caribbean rhythms, science fiction to family. Woodvine is a Berklee College of Music graduate who plays alto, tenor and soprano saxophones as well as the flute.
Apart from “Some Assembly Required,” Woodvine has two CDs under his own name, Citronella (1997) and Voyager (1995). He also appears on a 1992 recording, New World Music by the West Indies Jazz Band, which featured another well-known Caribbean saxophonist, St. Lucian Luther Francois whom I had the pleasure of promoting to a Dominica Jazz Festival with Positive Jazz Inc. back in the 1980s.
EARTHtimes.org reports that Barbadian saxophonist Arturo Tappin’s latest CD “Inside Out” is being officially released on Tuesday, July 24 2007.
The CD has been out on the market for several weeks now. Tappin premiered a number of tracks from it at Jazz on The Hill in Virgin Gorda, British Virgin Islands on May 23 of this year.
The event, organised by Antilia, Inc., an upscale Caribbean special event company based in NYC, is being held at the Chelsea lounge Room Service in Manhatten, New York.
Tappin is scheduled to interpret the hit songs of Barbadian pop diva Rihanna and Rupee among others. Buzz off to the EARTHtimes.org for the press release
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reported in its Friday, July 06 edition that Dominica’s singing star, Michele Henderson, was due to give a benefit concert Saturday 07 in St. Kitts to assist the country’s Special Olympics organisation in its bid to send a team to the World Games in October 2007. Henderson fronted the cruise ship Freewinds Band with whom she regularly performs on the water. Buzz off to the for a short review of the St. Kitts concert, published July 09, 2007 and the Retro Caribbean Jazz page for partial playlist of Michele and the Freewinds’ 2005 Tortola concert. ____________________________ SignOnSanDiego.com: “Jamaican-born pianist (Monty Alexander) has long been jazz’s most visible star from the British West Indies, but he’s quick to point out that there’s been a strong current flowing back and forth between the islands and the United States since jazz first coalesced in the early 20th century.” (Alexander explains that) “A lot of guys in the early (Duke) Ellington band were from the islands. Later on, there was Wynton Kelly, who was born in Jamaica, and Sonny Rollins, whose parents were from the Virgin Islands. Oscar Peterson’s parents were from St. Kitts. Carmen McRae was a stone cold Jamaican. Roy Haynes’ people were from Barbados.” Buzz off to SignOnSanDiego.com _____________________________ New York – In a little more than a week and a day New York residents were treated to a second healthy helping of top notch steelpan jazz. June 16 had marked the third such show at Lincoln Center in New York. This time it was at Afrika House located in Brooklyn, New York as headliners Garvin Blake and his ensemble, Jambalasi, the Andrea Rose Trio featuring Jason “Peanut” Isaacs and of course Utopia Pan Soul: the Next Generation, and more all treated the packed house to a very special show appropriately called “Carnival of Instruments III.” It was truly Steelpan Jazz, at times with a Caribbean flavor, with no additives, no faking the move, no artificial anything. Buzz off to When Steel Talks Λ
The CD has been out on the market for several weeks now. Tappin premiered a number of tracks from it at Jazz on The Hill in Virgin Gorda, British Virgin Islands on May 23 of this year.
The event, organised by Antilia, Inc., an upscale Caribbean special event company based in NYC, is being held at the Chelsea lounge Room Service in Manhatten, New York.
Tappin is scheduled to interpret the hit songs of Barbadian pop diva Rihanna and Rupee among others. Buzz off to the EARTHtimes.org for the press release
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reported in its Friday, July 06 edition that Dominica’s singing star, Michele Henderson, was due to give a benefit concert Saturday 07 in St. Kitts to assist the country’s Special Olympics organisation in its bid to send a team to the World Games in October 2007. Henderson fronted the cruise ship Freewinds Band with whom she regularly performs on the water. Buzz off to the for a short review of the St. Kitts concert, published July 09, 2007 and the Retro Caribbean Jazz page for partial playlist of Michele and the Freewinds’ 2005 Tortola concert. ____________________________ SignOnSanDiego.com: “Jamaican-born pianist (Monty Alexander) has long been jazz’s most visible star from the British West Indies, but he’s quick to point out that there’s been a strong current flowing back and forth between the islands and the United States since jazz first coalesced in the early 20th century.” (Alexander explains that) “A lot of guys in the early (Duke) Ellington band were from the islands. Later on, there was Wynton Kelly, who was born in Jamaica, and Sonny Rollins, whose parents were from the Virgin Islands. Oscar Peterson’s parents were from St. Kitts. Carmen McRae was a stone cold Jamaican. Roy Haynes’ people were from Barbados.” Buzz off to SignOnSanDiego.com _____________________________ New York – In a little more than a week and a day New York residents were treated to a second healthy helping of top notch steelpan jazz. June 16 had marked the third such show at Lincoln Center in New York. This time it was at Afrika House located in Brooklyn, New York as headliners Garvin Blake and his ensemble, Jambalasi, the Andrea Rose Trio featuring Jason “Peanut” Isaacs and of course Utopia Pan Soul: the Next Generation, and more all treated the packed house to a very special show appropriately called “Carnival of Instruments III.” It was truly Steelpan Jazz, at times with a Caribbean flavor, with no additives, no faking the move, no artificial anything. Buzz off to When Steel Talks Λ
Cayman Jazz Fest 08, Grand Cayman
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Are you a Caribbean Jazz writer, Jazz musician, a producer of Jazz music, or a promoter of Jazz events? Well, the Jazz fans will be travelling all summer long and would like to know where the gigs are. Place your schedule on the WEC Jazz calendar...You can also share your reviews and analyses of Jazz music too; become an author and get your props...Additionally, the Collective is now accepting Caribbean Jazz recordings (CD's and DVD's) for review on the site. Go to the "Me" Page for e-mail contact info.
4 responses so far ↓
Vaughnette // January 22, 2009 at 11:55 am |
Guys
If you never met nor heard Kellie, you are missing out. She is a beauiftul person with a great personality and a gorgeous voice. I look forward to hearing that CD.
John Stevenson // January 23, 2009 at 5:12 pm |
I second that V.
Had a great opportunity to meet the delightful Ms Cadogan, and mentioned your name as well!
Also caught up with Dwayne Husbands and a slew of uber-talented Bajans last week at the Barbados Jazz Festival. Indeed, my previous misgivings about the non-jazz aspects of that festival – at least in this year’s incarnation of it – have evaporated completely. The world needs to see the level and diversity of talent available among young Bajans – and I say this without the slightest hint of bias (smile). If the jazz festival does it, I say go for it. When Carlos Santana and Chaka Khan appeared at the Montreux Jazz Festival, no one complained, so we need to use every vehicle possible to push our own. In this respect, the Barbados Jazz Festival 2009 was a roaring success! Take a bow Gilbert Rowe!
Also met the redoubtable guitarist Terry Shaw who was most impressive in the company of (leader) trumpeter Errol Ince, jazz pianist Leston Paul (!) and drummer Sean Thomas at the Crane Beach Resort.
Talk about making a Caribbean man proud! And yes, Terry, I shall duly review your CD at the Woodshed.
Raf Robertson and the Birdsong Academy stole the show last Friday night on the magnificently manicured grounds of Ilaro Court, the Bajan Prime Minister’s official residence.
Great jazz treatment of material from Bob Marley, Ras Shorty I, the Mighty Gabby, and Clive Zanda in particular. The young unsighted singer Niyol Maswell was most moving in his renditions, demonstrating 20/20 musical vision and insight in a way that floored everyone. Definitely a talent to watch. They were the opening act for the sensual vocal charms of one of my favourite singers, Dee Dee Bridgewater. As if taking up the baton from Raf, Dee Dee proceeded to sing Afro-Latin standards such as “Besame Mucho”, “Obsession” (popularised by Celia Cruz), Milton Nascimento’s “Vera Cruz”, and “Afro Blue”, among others, her crack grouping including Puerto Ricans Edsel Gomez (piano), and Vince Cherico (drums).
Iz, hope that the Barbados festival will break new ground in the direction of a new Caribbean musical consciousness as we’ve been discussing.
More later,
John
Israel // January 24, 2009 at 9:33 am |
First of all, the chastise! You hop on a plane, banana boat, glider or whatever, navigate your way to Barbados, and not a word to me maaan. (breathing deeply; counting to 10)
But I am elated you went to the festival because I do not know whether we would ever get such detail of the Jazz aspect of the festival. I do not know whether any reviews were published; could not find any. Did you?
We are placing the world on your shoulders, John. Without you, there is no review. Thus, we look forward to the “more” that you speak of. Holding you to that.
Surely, you do not expect your writings to remain ‘buried’ in Comments, do you? For that matter, this is not a Comment; it is a Post. And Posted it shall be on the Frontpage. Hope you don’t mind.
By the way, did you take any pics John?
All this aside, it would be so much more helpful, if the festival had devoted more bytes to the local and Caribbean artists on the official website. Talk about no bios, no reviews, nothing. Instead, G.M.R pulled down the Barbados Jazz Festival site within hours of the end of the festival.
John Stevenson // January 27, 2009 at 5:56 am |
Iz, thanks for the friendly fire. By now you should have gotten my emailed review and pixes re the jazz festival. Please get back to me asap if you don’t have same.
rgds
JPS